Thumbnails

Last Saturday I attended the New England SCBWI Encore Writer's Workshop. I am 0 for 3 for successful navigations of Providence, but I am inspired and knowledgable from the experience, so I call it a win! There were a TON of key notes that all authors/writers can really benefit. The workshop had a Middle Grade-Young Adult edge to it, so there wasn't a lot of focus on the Picture Book writing, but I can see how I could apply the advice to my personal writings. Some of the key points addressed: Write, write, write, write and then write some more. READ! <-- Pretend that was shouted. Read everything you can get your hands on... specifically works from your genre. Read it, even if you think/have heard it's going to be crap. LEARN from that writer's mistakes. Uh, re-write... a lot. Critique groups are necessary; start one or one! You need someone other than your mother/friends/coworkers/etc. playing the editor's eyes and giving you concrete criticism. <-- Th

I've updated my website ! I've changed the overall look of the site and swapped out a few pieces. In other news, I am planning to attend the SCBWI's Winter Conference again... you know if I can sign up. Just remember that 10am PDT = 1pm EST! I will be all over registration on Friday! Hope to meet some of you there! :-)

Early trip to the library! 9 picture books to flip through this fortnight: Ella Takes the Cake , by Carmela & Steven D'Amico Mitchell's License , by Hallie Durand, illustrated by Tony Fucile Augie to Zebra , by Kate Endle and Caspar Babypants When My Baby Dreams , by Adele Enersen, spot ills by Jennifer Rozbruch* Kitten's First Full Moon , by Kevin Henkes Dog in Charge, by K.L. Going, illustrated by Dan Santat The Man Who Walked Between The Towers , by Mordicai Gerstein 999 Tadpoles , by Ken Kimura, illustrated by Yasunari Murakami Mary Had a Little Lamp , by Jack Lechner, illustrated by Bob Staake * My goal as an illustrator is really to get a sense of other illustrators' styles, familiarize myself with classic and modern stories, and learn about the flow and composition of a book. For this, I typically gravitate towards illustrated picture books, of a "traditional media". I've included this in my picture book selection to get a gras

So since JUNE (last post date,) what I have I been doing? I want to say I've been sitting at "one of those box-y things, with the four legs and writing/drawing" That's where I spend most of my time: the desk. 90% of my summer was eaten up by sitting and looking . And then I wonder why I'm so out of shape.... My concrete answer: I've been pushing around a heavy load at work-work, on top of the usual doodling and reading I preform at home. I've grown an addiction to the library which only becomes inconvenient when my "Lie-Berry" day lands on a Holiday or extended weekend. I think I can make it about 10 days before I throw my hands up into the air and cheer out "LIE-BERRY DAY!" I plan to share "Lie-Berry" day with the blog world, as I do with my other read'n blog : I want everyone to know what I'm reading/admiring. So what is "Lie-Berry" Day? This is the day I head over to the town library and pick out

It's been a slow  start for me, but I do have a couple more pieces hoisted up on Scribed for downloading and printing. I've reconfigured my promotional postcards to make them accessible to everyone for personal use. Yes - simply for the enjoyment of cutting and pasting/assembling things. It would have been easier just popping the postcards on the website as they were, but I didn't want weirdos calling or stalking me, so I had to adjust the postcards a bit. I also had to scale them down a touch to fit for the every-day household printer. In the "Playground" the Printable Giraffe and Turtle are linked to my Scribed account for public downloading... or you can click the links here ;-) Have fun playing!

Participating in the Doedemee charity book cover project brought me back to my old book re-covering exercise from several years back. I've decided to pick the project back up again, and I've just begun taking my old sketches, and turning them into full-scaled finished pieces. By "full-scaled" I mean 12" x 18" posters. Other than the Scarlet Letter , you'll see my most recent conquest ( Moby Dick ,) which was one of the original classics from my old exercise. Hopefully to follow: The Great Gatsby , One Flew Over the Cuckoo's Nest , and Lolita. My "Recovering Project" is helping me ease back into my cut-paper methods. Moby Dick here is comprised of torn paper and digital media.

Been working here and there on a book (re-covered) project for the DoeDeMee cover project for illiteracy . Below are some of my sketches rendered as I read through my book choice, The Scarlet Letter . As of a few nights ago, I had my poster looking like so: ... But something was missing. I picked this novel for the sake of the story's message on identity. Upon looking at other covers throughout time, there were a couple recurrent themes: Hester & Child (Pearl) and the big red "A". These characters actually become what the "A" symbolizes and I wanted convey with the cover. I think I did this rather successfully transforming these two characters into an "A".  However, there's another character that's typically ignored for cover art, and I really wanted him to have at least a subliminal presence, because without him, there would be no Pearl and thusly no evidence for the need of that adulteress mark: Reverend Dimmsdale. He too

THRILLED to have gone, but a little bummed I couldn't attend the entire weekend. With work, travel and a tight-tight budget (so that we can attend the LA conference,) I was only able to join for the Saturday workshops. Though I take away a lot from my single day on site, I still wish I could have stayed for the full conference. "C'est la vie!" To really get the most of the conference my advice to myself and other potential goers: 1. DO the poster contest (illustrators) 2. DO the portfolio/manuscript review, especially that quick-query. I didn't meet a single person who felt it was money wasted 3. Don't get the chicken (lunch) 4. Do the portfolio showcase (illustrators) - ALWAYS show that folio when an opportunity presents itself 5. Take more pictures for more visual interest when you go back to Blog about your experience so that you don't just end up hoisting your business card up on the site for recognition The only real negative I take away fr

Butterfly Sketches - 2/2012 Not to come off as creepy or Damien Hirst-like, I am currently on the market for dead butterflies. I believe the official term is specimens , but from what I've been shopping, I'll be receiving dried corpses so... same difference! I'm hunting these little buggers down for my next personal illustration project, which has been inspired by my recent trip to RI SD's  Edna W. Lawrence Nature Lab , for a live animal study session. Amongst the live animals were many not-so-live animals, including a couple cases of mounted butterflies. My illustration project is simple: I want to make faux mounted butterfly illustrations using my cut-paper technique. I want to make scientific renderings rather than generic forms, so I need to be able to study the real things. Since I am no butterfly expert, (though that does sound pretty sweet to me now!) I am plotting a trip to Cambridge to visit the Museum of Natural History . If they allow me to sketch, sket

Well, I'm behind on what I would have thought to be a quick re-start to my "Thumbnails" blog. I've been trying to get the old illustration-y stuff going, but we've run into a minor issue: Sam (still) hasn't purchased a scanner yet {blush}! So how did I do this in the past, you ask? I do own a scanner... it's about |  -- yay --  | big. At nearly a decade old, its not exactly what I would call reliable in the fields of quality-scan and software. The software (probably) pre-dates Mac and PC compatibility, so I wouldn't even dream of looking for disk. Also, it's attached to an old laptop RIDDLED with viruses and malware, so to be blunt: it is dead to me. I think I could tolerate the scale of the flatbed, if it were at least able to scan over 500 dpi. Most recently, to finish my portfolio I scanned all my artwork in from work, of which I felt guilty through the whole process. Sam's big fat conscience doesn't want the "Day Job" and

I'm currently in the starts to remodel my blog. Just to give you an idea as to what's going on, you'll see a collection of new PAGES, which will allow users to take a peek at the "happenings" in my illustration world. Some new big features will be added to the site. Some of these include: "Story Time" tab is "HOME" or the main Blog page. This will be my regular journal. I plan to allot at least one or two posts per week, but to start out with, I'll probably be posting quite a bit. "Sketchbook" is... yes a spot to show off some of my doodles. I promise I won't be as obsessive about this, as when I held the "Thumbnails Sketchbook" blog post. It's not a "Doodle-a-Day"; I plan to post to this page maybe once or twice a week, just to share what I'm working on. "Playground" is where I plan to have some Downloads for sharing. They're essentially paper cut-outs, toys and coloring sheets fo