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Participating in the Doedemee charity book cover project brought me back to my old book re-covering exercise from several years back. I've decided to pick the project back up again, and I've just begun taking my old sketches, and turning them into full-scaled finished pieces. By "full-scaled" I mean 12" x 18" posters. Other than the Scarlet Letter , you'll see my most recent conquest ( Moby Dick ,) which was one of the original classics from my old exercise. Hopefully to follow: The Great Gatsby , One Flew Over the Cuckoo's Nest , and Lolita. My "Recovering Project" is helping me ease back into my cut-paper methods. Moby Dick here is comprised of torn paper and digital media.

Been working here and there on a book (re-covered) project for the DoeDeMee cover project for illiteracy . Below are some of my sketches rendered as I read through my book choice, The Scarlet Letter . As of a few nights ago, I had my poster looking like so: ... But something was missing. I picked this novel for the sake of the story's message on identity. Upon looking at other covers throughout time, there were a couple recurrent themes: Hester & Child (Pearl) and the big red "A". These characters actually become what the "A" symbolizes and I wanted convey with the cover. I think I did this rather successfully transforming these two characters into an "A".  However, there's another character that's typically ignored for cover art, and I really wanted him to have at least a subliminal presence, because without him, there would be no Pearl and thusly no evidence for the need of that adulteress mark: Reverend Dimmsdale. He too