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Peacock Dress Snippet. The paper jacket is done. This isn't the big reveal… sorry! If you want to see the real-deal, you'll have to join me at the Wearable Art Extravaganza (details below), or visit me in the studio on First Saturday/Sunday, October 4-5th…. or just wait until later next week and peek back here. Wearable Art Extravaganza Poster. A couple things to note: Event is FREE and Child-friendly There will be a cash bar for beer & wine This will be wicked fun - I've seen some of the other pieces walking in the show Hope to see you there ;-) ~ Samantha

Paper painting/studio floor. The evidence of my studio work/play today is embedded in my hands: they're peacock blue-green. Even after a couple passes with a loofa there are still some blue-filled creases. My blue-green hand posing in front of painted surfaces. This acrylic has some impressive staying power. My work surface was affected a bit too: Blue surface phase 1. Blue Surface phase 2. Why am I so blue? The Miracle Providers NE are hosting a Wearable Art Exhibition on October 4th, and I am assembling a tissue paper jacket for the fashion show. The jacket is going to require a LOT of material… blue material. The once-white contact paper coating of my work surface is screaming for a change, but I'm not quite finished with the painting, so this will have to wait a little longer. I will be sharing some more work in progress on my art garment once I can get past the paper-prep work. I have some sketches and a mood-board I can share in the near-future.

Left: Frida Kahlo's "Girl with Death Mask", 1938; right: Samantha Grenier's "Death with Girl Mask", 2005. I was just reading another blog post featuring the art of Stephen Mackey, and it triggered a little nostalgia. I don't know if it was in the lighting of his paintings, or maybe the tone, or my (slightly) morbid appeal, but something brought me back to a Halloween assignment from my graduate studies. My painting was not well received at the time. I think the assignment was something along the lines of making a Halloween or depict a horror scene. Trying to be clever, I created a nod to Frida Kahlo's painting " Niña con Mascara de Muerte". Since this was for an illustration class, something a little more "illustration-y" was probably expected. Probably. I didn't get it at the time, but sometimes it's difficult to separate the "artist" from the "illustrator".  I was always proud of my little