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Whoosh! March is gone and April looks like it's going to be a whirlwind adventure. I've got a LOT in the works and a bunch of upcoming events to note: First up is the April Open Studio at Western Avenue Studios and Lofts : THIS Saturday, April 4th, from noon - 5pm. Please stop by and say hi … and buy some art from me and/or the 150+ other artists on site. ;-) I will be in my studio (#112) working on costumes and more picture book portfolio (more on that shortly). Next up, I have a piece in the Four By Four for Education show over at the Brush Gallery . The show has been up a few weeks. The final day/fundraising reception: Saturday, April 11th, from 2 − 5pm. My piece on display is the Woven Heart ( #141 in the slideshow ). Admission is $25 which benefits a UMASS Lowell (art) scholarship. The admission fee also gets you one of the original pieces from the show. Woven Heart © Samantha Grenier 2015 To cap off my month, the  Society of Children's Book Writers and Il

A bit of color blocking for a 4-page narrative. Book Pacing workshop by Deborah Freedman and Frank Dormer. And *poof* the New England SCBWI Conference is over. Actually it's been over for about two weeks. I'm still working off the inspired energy I picked up from all the workshops. I miss it, but I know it'll always be in my heart… I took copious notes! Other illustrators working-working-working. I still have a small stack of postcards remaining from the portfolio showcase. Those will be mailed out to select Art Directors later this week. I have to admit I still hold my breath a bit when I'm about to send out postcards. It reminds me of the theme of this year's conference: "Be Brave: Make your mark". Though I've become a lot more confident with showing off my work, it's the ceremonial mailings which throw me. It's been a while since I last sent out any promotions and now I'm trying to build it into a seasonal routine. I'

Portfolio - Spring 2014 We're setting out for the SCBWI New England Conference tomorrow. "We" is me,  Sheli Petersen  and Sheli's mother/author, Patricia Petersen. I'm packed, updated , and eager to meet everyone. I can hardly believe it's already time to head down to Springfield again :->; I am really pumped for this conference and I'm ready to let the inspiration vibes strike me. Above are a few bits from my book assembly from the past week. On the left are some finished snippets from one of my spreads, and the right is the black and white study of my mock mini portfolio. I have to tell you the mock-mini folio helped a LOT. it was great to see the impact of my ills in the small scale and to make sure that my values had enough contrast. Highly recommended. I did a similar study last year for the Infirm Pachyderm poster . This year I combed through my full book in black and white format before taking everything to print. I'm very pr

Morning collaging - torn papers and glue. I'm still here. Quietly working on my portfolio… neglecting my blog. The past month was filled with doodling and other paper-cutting activities. On top of that I'm slowly, slowly, slowly building out my studio space to make it viewer-friendly. Priority number one is polishing off my portfolio for the New England chapter Society of Children's Book Writers and Illustrator's conference . I've only got one more week left on the timeline, but I'm feeling confident with the book organization as it stands. Though I still have oodles of work to complete by next Friday, I'm close to press and assembly, so the deadline doesn't feel scary-close (this time around). Fingers crossed for my postcards. They should be landing some time Friday or Saturday, so let's keep our eyes on the mailbox for them. ~Samantha

Badge by Denise Ortakales - Source Whew-Hooo! I JUST signed up for the New England chapter SCBWI Conference . I can hardly wait to see everyone again :-)

3/4 of Southern NH Illustration Critique Group: (left to right) Me, Natalie and Sheli. It's been nearly 2 weeks since leaving the the New England SCBWI conference... Still giddy, but I'm recuperating from all the activity. I've been puttering around trying to clean up some non-picture book illustration works. Some "works" include writing out THANK YOU notes to those whom assisted me at the conference from critiquers, to workshop faculty. Here's a mini digital dose: Also I wouldn't be doing my job if I didn't thank the ladies from our monthly illustration critique group: Sheli Petersen  and  Natalie Curtiss . (Go look at their websites!) Extra kudos to Natalie for driving! Also THANK YOU to the insightful Skia Lawrence who's the 4th member from our critique group; whom was unable to attend this year. Thank you! ~Samantha

Post-it Notes to self: "Don't forget your toothbrush... or hair stuff!" I will be leaving for the New England SCBWI conference in just a bit. I'm more than ready for an inspiring weekend! If you see me around, don't be shy and say "Hi!" Say "HI!" :-D  I will be toting my portfolio around with me all weekend, so if you'd like to take a peek, I'd be happy to show it off: Portfolio cover. See you in Springfield! ♥

Illustration contest submission for Jane Yolen's "Infirm Pachyderm". As one can see, I have been heavily involved with elephants lately. Nothing wrong with that! The New England SCBWI Conference (Society of Children's Book Writers and Illustrators) is only a couple weeks away. I had to pause portfolio preparations to submit to this year's poster illustration contest: Jane Yolen's poem "Infirm Pachyderm". My gut reaction to the first 30 or so reads were all somber. I wanted to gauge other illustrator's responses, so I preformed an image search... same reactions there. Since the poem is written for an audience that's Middle Grade age group at max, I wanted to illustrate a positive spin on the poem's outcome. Construction the illustration was a little less positive. I'm going to admit I have a weakness with Black & White drawing, so naturally I wanted to cut TONS of grey-scale images! Since my technique dwells on paper tex

Last Saturday I attended the New England SCBWI Encore Writer's Workshop. I am 0 for 3 for successful navigations of Providence, but I am inspired and knowledgable from the experience, so I call it a win! There were a TON of key notes that all authors/writers can really benefit. The workshop had a Middle Grade-Young Adult edge to it, so there wasn't a lot of focus on the Picture Book writing, but I can see how I could apply the advice to my personal writings. Some of the key points addressed: Write, write, write, write and then write some more. READ! <-- Pretend that was shouted. Read everything you can get your hands on... specifically works from your genre. Read it, even if you think/have heard it's going to be crap. LEARN from that writer's mistakes. Uh, re-write... a lot. Critique groups are necessary; start one or one! You need someone other than your mother/friends/coworkers/etc. playing the editor's eyes and giving you concrete criticism. <-- Th

THRILLED to have gone, but a little bummed I couldn't attend the entire weekend. With work, travel and a tight-tight budget (so that we can attend the LA conference,) I was only able to join for the Saturday workshops. Though I take away a lot from my single day on site, I still wish I could have stayed for the full conference. "C'est la vie!" To really get the most of the conference my advice to myself and other potential goers: 1. DO the poster contest (illustrators) 2. DO the portfolio/manuscript review, especially that quick-query. I didn't meet a single person who felt it was money wasted 3. Don't get the chicken (lunch) 4. Do the portfolio showcase (illustrators) - ALWAYS show that folio when an opportunity presents itself 5. Take more pictures for more visual interest when you go back to Blog about your experience so that you don't just end up hoisting your business card up on the site for recognition The only real negative I take away fr