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Paper painting/studio floor. The evidence of my studio work/play today is embedded in my hands: they're peacock blue-green. Even after a couple passes with a loofa there are still some blue-filled creases. My blue-green hand posing in front of painted surfaces. This acrylic has some impressive staying power. My work surface was affected a bit too: Blue surface phase 1. Blue Surface phase 2. Why am I so blue? The Miracle Providers NE are hosting a Wearable Art Exhibition on October 4th, and I am assembling a tissue paper jacket for the fashion show. The jacket is going to require a LOT of material… blue material. The once-white contact paper coating of my work surface is screaming for a change, but I'm not quite finished with the painting, so this will have to wait a little longer. I will be sharing some more work in progress on my art garment once I can get past the paper-prep work. I have some sketches and a mood-board I can share in the near-future.

Illustration contest submission for Jane Yolen's "Infirm Pachyderm". As one can see, I have been heavily involved with elephants lately. Nothing wrong with that! The New England SCBWI Conference (Society of Children's Book Writers and Illustrators) is only a couple weeks away. I had to pause portfolio preparations to submit to this year's poster illustration contest: Jane Yolen's poem "Infirm Pachyderm". My gut reaction to the first 30 or so reads were all somber. I wanted to gauge other illustrator's responses, so I preformed an image search... same reactions there. Since the poem is written for an audience that's Middle Grade age group at max, I wanted to illustrate a positive spin on the poem's outcome. Construction the illustration was a little less positive. I'm going to admit I have a weakness with Black & White drawing, so naturally I wanted to cut TONS of grey-scale images! Since my technique dwells on paper tex